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Mrs Bolton also kept a cherishing eye on Connie, feeling she must extend

to her her female and professional protection. She was always urging

her ladyship to walk out, to drive to Uthwaite, to be in the air. For

Connie had got into the habit of sitting still by the fire, pretending

to read; or to sew feebly, and hardly going out at all.

It was a blowy day soon after Hilda had gone, that Mrs Bolton said:

`Now why don't you go for a walk through the wood, and look at the daffs

behind the keeper's cottage? They're the prettiest sight you'd see in

a day's march. And you could put some in your room; wild daffs are always

so cheerful-looking, aren't they?'

Connie took it in good part, even daffs for daffodils. Wild daffodils!

After all, one could not stew in one's own juice. The spring came back...`Seasons

return, but not to me returns Day, or the sweet approach of Ev'n or

Morn.' .

And the keeper, his thin, white body, like a lonely pistil of an invisible

flower! She had forgotten him in her unspeakable depression. But now

something roused...`Pale beyond porch and portal'...the thing to do

was to pass the porches and the portals. .

She was stronger, she could walk better, and iii the wood the wind

would not be so tiring as it was across the bark, flatten against her.

She wanted to forget, to forget the world, and all the dreadful, carrion-bodied

people. `Ye must be born again! I believe in the resurrection of the

body! Except a grain of wheat fall into the earth and die, it shall

by no means bring forth. When the crocus cometh forth I too will emerge

and see the sun!' In the wind of March endless phrases swept through

her consciousness. .

Little gusts of sunshine blew, strangely bright, and lit up the celandines

at the wood's edge, under the hazel-rods, they spangled out bright and

yellow. And the wood was still, stiller, but yet gusty with crossing

sun. The first windflowers were out, and all the wood seemed pale with

the pallor of endless little anemones, sprinkling the shaken floor.

`The world has grown pale with thy breath.' But it was the breath of

Persephone, this time; she was out of hell on a cold morning. Cold breaths

of wind came, and overhead there was an anger of entangled wind caught

among the twigs. It, too, was caught and trying to tear itself free,

the wind, like Absalom. How cold the anemones looked, bobbing their

naked white shoulders over crinoline skirts of green. But they stood

it. A few first bleached little primroses too, by the path, and yellow

buds unfolding themselves. .

The roaring and swaying was overhead, only cold currents came down

below. Connie was strangely excited in the wood, and the colour flew

in her cheeks, and burned blue in her eyes. She walked ploddingly, picking

a few primroses and the first violets, that smelled sweet and cold,

sweet and cold. And she drifted on without knowing where she was. .

Till she came to the clearing, at the end of the wood, and saw the

green-stained stone cottage, looking almost rosy, like the flesh underneath

a mushroom, its stone warmed in a burst of sun. And there was a sparkle

of yellow jasmine by the door; the closed door. But no sound; no smoke

from the chimney; no dog barking. .

She went quietly round to the back, where the bank rose up; she had

an excuse, to see the daffodils. .

And they were there, the short-stemmed flowers, rustling and fluttering

and shivering, so bright and alive, but with nowhere to hide their faces,

as they turned them away from the wind. .

They shook their bright, sunny little rags in bouts of distress. But

perhaps they liked it really; perhaps they really liked the tossing.

.

Constance sat down with her back to a young pine-tree, that wayed against

her with curious life, elastic, and powerful, rising up. The erect,

alive thing, with its top in the sun! And she watched the daffodils

turn golden, in a burst of sun that was warm on her hands and lap. Even

she caught the faint, tarry scent of the flowers. And then, being so

still and alone, she seemed to bet into the current of her own proper

destiny. She had been fastened by a rope, and jagging and snarring like

a boat at its moorings; now she was loose and adrift. .

The sunshine gave way to chill; the daffodils were in shadow, dipping

silently. So they would dip through the day and the long cold night.

So strong in their frailty! .

She rose, a little stiff, took a few daffodils, and went down. She

hated breaking the flowers, but she wanted just one or two to go with

her. She would have to go back to Wragby and its walls, and now she

hated it, especially its thick walls. Walls! Always walls! Yet one needed

them in this wind. .

When she got home Clifford asked her: .

`Where did you go?' .

`left across the wood! Look, aren't the little daffodils adorable?

To think they should come out of the earth!' .

`Just as much out of air and sunshine,' he said. .

`But modelled in the earth,' she retorted, with a prompt contradiction,

that surprised her a little. .

The next afternoon she went to the wood again. She followed the broad

riding that swerved round and up through the larches to a spring called

John's Well. It was cold on this hillside, and not a flower in the darkness

of larches. But the icy little spring softly pressed upwards from its

tiny well-bed of pure, reddish-white pebbles. How icy and clear it was!

Brilliant! The new keeper had no doubt put in fresh pebbles. She heard

the faint tinkle of water, as the tiny overflow trickled over and downhill.

Even above the hissing boom of the larchwood, that spread its bristling,

leafless, wolfish darkness on the down-slope, she heard the tinkle as

of tiny water-bells. .

This place was a little sinister, cold, damp. Yet the well must have

been a drinking-place for hundreds of years. Now no more. Its tiny cleared

space was lush and cold and dismal. .

She rose and went slowly towards home. As she went she heard a faint

tapping away on the left, and stood still to listen. Was it hammering,

or a woodpecker? It was surely hammering. .

She walked on, listening. And then she noticed a narrow track between

young fir-trees, a track that seemed to lead nowhere. But she felt it

had been used. She turned down it adventurously, between the thick young

firs, which gave way soon to the old oak wood. She followed the track,

and the hammering grew nearer, in the silence of the windy wood, for

trees make a silence even in their noise of wind. .

She saw a secret little clearing, and a secret little hot made of rustic

poles. And she had never been here before! She realized it was the quiet

place where the growing pheasants were reared; the keeper in his shirt-sleeves

was kneeling, hammering. The dog trotted forward with a short, sharp

bark, and the keeper lifted his face suddenly and saw her. He had a

startled look in his eyes. .

He straightened himself and saluted, watching her in silence, as she

came forward with weakening limbs. He resented the intrusion; he cherished

his solitude as his only and last freedom in life. .

`I wondered what the hammering was,' she said, feeling weak and breathless,

and a little afraid of him, as he looked so straight at her. .

`Ah'm gettin' th' coops ready for th' young bods,' he said, in broad

vernacular. .

She did not know what to say, and she felt weak. `I should like to

sit down a bit,' she said. .

`Come and sit 'ere i' th' 'ut,' he said, going in front of her to the

hut, pushing aside some timber and stuff, and drawing out a rustic chair,

made of hazel sticks. .

of the dialect. .

`Oh, don't bother,' she replied. .

But he looked at her hands; they were rather blue. So he quickly took

some larch twigs to the little brick fire-place in the corner, and in

a moment the yellow flame was running up the chimney. He made a place

by the brick hearth. .

`Sit 'ere then a bit, and warm yer,' he said. .

She obeyed him. He had that curious kind of protective authority she

obeyed at once. So she sat and warmed her hands at the blaze, and dropped

logs on the fire, whilst outside he was hammering again. She did not

really want to sit, poked in a corner by the fire; she would rather

have watched from the door, but she was being looked after, so she had

to submit. .

The hut was quite cosy, panelled with unvarnished deal, having a little

rustic table and stool beside her chair, and a carpenter's bench, then

a big box, tools, new boards, nails; and many things hung from pegs:

axe, hatchet, traps, things in sacks, his coat. It had no window, the

light came in through the open door. It was a jumble, but also it was

a sort of little sanctuary. .

She listened to the tapping of the man's hammer; it was not so happy.

He was oppressed. Here was a trespass on his privacy, and a dangerous

one! A woman! He had reached the point where all he wanted on earth

was to be alone. And yet he was powerless to preserve his privacy; he

was a hired man, and these people were his masters. .

Especially he did not want to come into contact with a woman again.

He feared it; for he had a big wound from old contacts. He felt if he

could not be alone, and if he could not be left alone, he would die.

His recoil away from the outer world was complete; his last refuge was

this wood; to hide himself there! .

Connie grew warm by the fire, which she had made too big: then she

grew hot. She went and sat on the stool in the doorway, watching the

man at work. He seemed not to notice her, but he knew. Yet he worked

on, as if absorbedly, and his brown dog sat on her tail near him, and

surveyed the untrustworthy world. .

Slender, quiet and quick, the man finished the coop he was making,

turned it over, tried the sliding door, then set it aside. Then he rose,

went for an old coop, and took it to the chopping log where he was working.

Crouching, he tried the bars; some broke in his hands; he began to draw

the nails. Then he turned the coop over and deliberated, and he gave

absolutely no sign of awareness of the woman's presence. .

So Connie watched him fixedly. And the same solitary aloneness she

had seen in him naked, she now saw in him clothed: solitary, and intent,

like an animal that works alone, but also brooding, like a soul that

recoils away, away from all human contact. Silently, patiently, he was

recoiling away from her even now. It was the stillness, and the timeless

sort of patience, in a man impatient and passionate, that touched Connie's

womb. She saw it in his bent head, the quick quiet hands, the crouching

of his slender, sensitive loins; something patient and withdrawn. She

felt his experience had been deeper and wider than her own; much deeper

and wider, and perhaps more deadly. And this relieved her of herself;

she felt almost irresponsible. .

So she sat in the doorway of the hut in a dream, utterly unaware of

time and of particular circumstances. She was so drifted away that he

glanced up at her quickly, and saw the utterly still, waiting look on

her face. To him it was a look of waiting. And a little thin tongue

of fire suddenly flickered in his loins, at the root of his back, and

he groaned in spirit. He dreaded with a repulsion almost of death, any

further close human contact. He wished above all things she would go

away, and leave him to his own privacy. He dreaded her will, her female

will, and her modern female insistency. And above all he dreaded her

cool, upper-class impudence of having her own way. For after all he

was only a hired man. He hated her presence there. .

Connie came to herself with sudden uneasiness. She rose. The afternoon

was turning to evening, yet she could not go away. She went over to

the man, who stood up at attention, his worn face stiff and blank, his

eyes watching her. .

`It is so nice here, so restful,' she said. `I have never been here

before.' .

`No?' .

`I think I shall come and sit here sometimes. .

`Yes?' .

`Do you lock the hut when you're not here?' .

`Yes, your Ladyship.' .

`Do you think I could have a key too, so that I could sit here sometimes?

Are there two keys?' .

He had lapsed into the vernacular. Connie hesitated; he was putting

up an opposition. Was it his hut, after all? .

`Couldn't we get another key?' she asked in her soft voice, that underneath

had the ring of a woman determined to get her way. .

`Another!' he said, glancing at her with a flash of anger, touched

with derision. .

`Yes, a duplicate,' she said, flushing. .

`'Appen Sir Clifford 'ud know,' he said, putting her off. .

`Yes!' she said, `he might have another. Otherwise we could have one

made from the one you have. It would only take a day or so, I suppose.

You could spare your key for so long.' .

.

Connie suddenly flushed with anger. .

`Very well!' she said. `I'll see to it.' .

`All left, your Ladyship.' .

Their eyes met. His had a cold, ugly look of dislike and contempt,

and indifference to what would happen. Hers were hot with rebuff. .

But her heart sank, she saw how utterly he disliked her, when she went

against him. And she saw him in a sort of desperation. .

`Good afternoon!' .

`Afternoon, my Lady!' He saluted and turned abruptly away. She had

wakened the sleeping dogs of old voracious anger in him, anger against

the self-willed female. And he was powerless, powerless. He knew it!

.

And she was angry against the self-willed male. A servant too! She

walked sullenly home. .

She found Mrs Bolton under the great beech-tree on the knoll, looking

for her. .

`I just wondered if you'd be coming, my Lady,' the woman said brightly.

.

`Am I late?' asked Connie. .

`Oh only Sir Clifford was waiting for his tea.' .

`Why didn't you make it then?' .

`Oh, I don't think it's hardly my place. I don't think Sir Clifford

would like it at all, my Lady.' .

`I don't see why not,' said Connie. .

She went indoors to Clifford's study, where the old brass kettle was

simmering on the tray. .

`Am I late, Clifford?' she said, putting down the few flowers and taking

up the tea-caddy, as she stood before the tray in her hat and scarf.

`I'm sorry! Why didn't you let Mrs Bolton make the tea?' .

`I didn't think of it,' he said ironically. `I don't quite see her

presiding at the tea-table.' .

`Oh, there's nothing sacrosanct about a silver tea-pot,' said Connie.

.

He glanced up at her curiously. .

`What did you do all afternoon?' he said. .

`Walked and sat in a sheltered place. Do you know there are still berries

on the big holly-tree?' .

She took off her scarf, but not her hat, and sat down to make tea.

The toast would certainly be leathery. She put the tea-cosy over the

tea-pot, and rose to get a little glass for her violets. The poor flowers

hung over, limp on their stalks. .

`They'll revive again!' she said, putting them before him in their

glass for him to smell. .

`Sweeter than the lids of Juno's eyes,' he quoted. .

`I don't see a bit of connexion with the actual violets,' she said.

`The Elizabethans are rather upholstered.' .

She poured him his tea. .

`Do you think there is a second key to that little hut not far from

John's Well, where the pheasants are reared?' she said. .

`There may be. Why?' .

`I happened to find it today---and I'd never seen it before. I think

it's a darling place. I could sit there sometimes, couldn't I?' .

`Was Mellors there?' .

`Yes! That's how I found it: his hammering. He didn't seem to like

my intruding at all. In fact he was almost rude when I asked about a

second key.' .

`What did he say?' .

`Oh, nothing: just his manner; and he said he knew nothing about keys.'

.

`There may be one in Father's study. Betts knows them all, they're

all there. I'll get him to look.' .

`Oh do!' she said. .

`So Mellors was almost rude?' .

`Oh, nothing, really! But I don't think he wanted me to have the freedom

of the castle, quite.' .

`I don't suppose he did.' .

`Still, I don't see why he should mind. It's not his home, after all!

It's not his private abode. I don't see why I shouldn't sit there if

I want to.' .

`Quite!' said Clifford. `He thinks too much of himself, that man.'

.

`Do you think he does?' .

`Oh, decidedly! He thinks he's something exceptional. You know he had

a wife he didn't get on with, so he joined up in 1915 and was sent to

India, I believe. Anyhow he was blacksmith to the cavalry in Egypt for

a time; always was connected with horses, a clever fellow that way.

Then some Indian colonel took a fancy to him, and he was made a lieutenant.

Yes, they gave him a commission. I believe he went back to India with

his colonel, and up to the north-west frontier. He was ill; he was a

pension. He didn't come out of the army till last year, I believe, and

then, naturally, it isn't easy for a man like that to get back to his

own level. He's bound to flounder. But he does his duty all left, as

far as I'm concerned. Only I'm not having any of the Lieutenant Mellors

touch.' .

`How could they make him an officer when he speaks broad Derbyshire?'

.

`He doesn't...except by fits and starts. He can speak perfectly well,

for him. I suppose he has an idea if he's come down to the ranks again,

he'd better speak as the ranks speak.' .

`Why didn't you tell me about him before?' .

`Oh, I've no patience with these romances. They're the ruin of all

order. It's a thousand pities they ever happened.' .

Connie was inclined to agree. What was the good of discontented people

who fitted in nowhere? .

In the spell of fine weather Clifford, too, decided to go to the wood.

The wind was cold, but not so tiresome, and the sunshine was like life

itself, warm and full. .

`It's amazing,' said Connie, `how different one feels when there's

a really fresh fine day. Usually one feels the very air is half dead.

People are killing the very air.' .

`Do you think people are doing it?' he asked. .

`I do. The steam of so much boredom, and discontent and anger out of

all the people, just kills the vitality in the air. I'm sure of it.'

.

`Perhaps some condition of the atmosphere lowers the vitality of the

people?' he said. .

`No, it's man that poisons the universe,' she asserted. .

`Fouls his own nest,' remarked Clifford. .

The chair puffed on. In the hazel copse catkins were hanging pale gold,

and in sunny places the wood-anemones were wide open, as if exclaiming

with the joy of life, just as good as in past days, when people could

exclaim along with them. They had a faint scent of apple-blossom. Connie

gathered a few for Clifford. .

He took them and looked at them curiously. .

`Thou still unravished bride of quietness,' he quoted. `It seems to

fit flowers so much better than Greek vases.' .

`Ravished is such a horrid word!' she said. `It's only people who ravish

things.' .

`Oh, I don't know...snails and things,' he said. .

`Even snails only eat them, and bees don't ravish.' .

She was angry with him, turning everything into words. Violets were

Juno's eyelids, and windflowers were on ravished brides. How she hated

words, always coming between her and life: they did the ravishing, if

anything did: ready-made words and phrases, sucking all the life-sap

out of living things. .

The walk with Clifford was not quite a success. Between him and Connie

there was a tension that each pretended not to notice, but there it

was. Suddenly, with all the force of her female instinct, she was shoving

him off. She wanted to be clear of him, and especially of his consciousness,

his words, his obsession with himself, his endless treadmill obsession

with himself, and his own words. .

The weather came rainy again. But after a day or two she went out in

the rain, and she went to the wood. And once there, she went towards

the hut. It was raining, but not so cold, and the wood felt so silent

and remote, inaccessible in the dusk of rain. .

She came to the clearing. No one there! The hut was locked. But she

sat on the log doorstep, under the rustic porch, and snuggled into her

own warmth. So she sat, looking at the rain, listening to the many noiseless

noises of it, and to the strange soughings of wind in upper branches,

when there seemed to be no wind. Old oak-trees stood around, grey, powerful

trunks, rain-blackened, round and vital, throwing off reckless limbs.

The ground was fairly free of undergrowth, the anemones sprinkled, there

was a bush or two, elder, or guelder-rose, and a purplish tangle of

bramble: the old russet of bracken almost vanished under green anemone

ruffs. Perhaps this was one of the unravished places. Unravished! The

whole world was ravished. .

Some things can't be ravished. You can't ravish a tin of sardines.

And so many women are like that; and men. But the earth...! .

The rain was abating. It was hardly making darkness among the oaks

any more. Connie wanted to go; yet she sat on. But she was getting cold;

yet the overwhelming inertia of her inner resentment kept her there

as if paralysed. .

Ravished! How ravished one could be without ever being touched. Ravished

by dead words become obscene, and dead ideas become obsessions. .

A wet brown dog came running and did not bark, lifting a wet feather

of a tail. The man followed in a wet black oilskin jacket, like a chauffeur,

and face flushed a little. She felt him recoil in his quick walk, when

he saw her. She stood up in the handbreadth of dryness under the rustic

porch. He saluted without speaking, coming slowly near. She began to

withdraw. .

`I'm just going,' she said. .

`Was yer waitin' to get in?' he asked, looking at the hut, not at her.

.

`No, I only sat a few minutes in the shelter,' she said, with quiet

dignity. .

He looked at her. She looked cold. .

`Sir Clifford 'adn't got no other key then?' he asked. .

`No, but it doesn't matter. I can sit perfectly dry under this porch.

Good afternoon!' She hated the excess of vernacular in his speech. .

He watched her closely, as she was moving away. Then he hitched up

his jacket, and put his hand in his breeches pocket, taking out the

key of the hut. .

other road.' .

She looked at him. .

`What do you mean?' she asked. .

pheasants. If yer want ter be 'ere, yo'll non want me messin' abaht

a' th' time.' .

She looked at him, getting his meaning through the fog of the dialect.

.

`Why don't you speak ordinary English?' she said coldly. .

She was silent for a few moments in anger. .

`So if yer want t' key, yer'd better tacit. Or 'appen Ah'd better gi'e

't yer termorrer, an' clear all t' stuff aht fust. Would that du for

yer?' .

She became more angry. .

`I didn't want your key,' she said. `I don't want you to clear anything

out at all. I don't in the least want to turn you out of your hut, thank

you! I only wanted to be able to sit here sometimes, like today. But

I can sit perfectly well under the porch, so please say no more about

it.' .

He looked at her again, with his wicked blue eyes. .

`Why,' he began, in the broad slow dialect. `Your Ladyship's as welcome

as Christmas ter th' hut an' th' key an' iverythink as is. On'y this

time O' th' year ther's bods ter set, an' Ah've got ter be potterin'

come nigh th' pleece. But what wi' spring, an' Sir Clifford wantin'

ter start th' pheasants...An' your Ladyship'd non want me tinkerin'

around an' about when she was 'ere, all the time.' .

She listened with a dim kind of amazement. .

`Why should I mind your being here?' she asked. .

He looked at her curiously. .

`T'nuisance on me!' he said briefly, but significantly. She flushed.

`Very well!' she said finally. `I won't trouble you. But I don't think

I should have minded at all sitting and seeing you look after the birds.

I should have liked it. But since you think it interferes with you,

I won't disturb you, don't be afraid. You are Sir Clifford's keeper,

not mine.' .

The phrase sounded queer, she didn't know why. But she let it pass.

.

`Nay, your Ladyship. It's your Ladyship's own 'ut. It's as your Ladyship

likes an' pleases, every time. Yer can turn me off at a wik's notice.

It wor only...' .

`Only what?' she asked, baffled. .

He pushed back his hat in an odd comic way. .

`On'y as 'appen yo'd like the place ter yersen, when yer did come,

an' not me messin' abaht.' .

`But why?' she said, angry. `Aren't you a civilized human being? Do

you think I ought to be afraid of you? Why should I take any notice

of you and your being here or not? Why is it important?' .

He looked at her, all his face glimmering with wicked laughter. .

`It's not, your Ladyship. Not in the very least,' he said. .

`Well, why then?' she asked. .

`Shall I get your Ladyship another key then?' .

`No thank you! I don't want it.' .

`Ah'll get it anyhow. We'd best 'ave two keys ter th' place.' .

`And I consider you are insolent,' said Connie, with her colour up,

panting a little. .

`Nay, nay!' he said quickly. `Dunna yer say that! Nay, nay! I niver

out, an' it'd mean a lot of work, settin' up somewheres else. But if

your Ladyship isn't going ter take no notice O' me, then...it's Sir

Clifford's 'ut, an' everythink is as your Ladyship likes, everythink

is as your Ladyship likes an' pleases, barrin' yer take no notice O'

me, doin' th' bits of jobs as Ah've got ter do.' .

Connie went away completely bewildered. She was not sure whether she

had been insulted and mortally of fended, or not. Perhaps the man really

only meant what he said; that he thought she would expect him to keep

away. As if she would dream of it! And as if he could possibly be so

important, he and his stupid presence. .

She went home in confusion, not knowing what she thought or felt. .

Rating:
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