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Entertainment 中国书法理论典藏集-书法离钩
Posted on 2010-04-28
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《书法离钩》(明)潘之淙 编著
慨自仓颉作书，山鬼夜哭，盗阴阳而凿混沌，莫此若也。何则？忠臣孝子，义士仁人，当欢欣鼓舞之情态，涕泣无从之心事，方咏歌不足，以一毫端泄之而有馀，故宛宛三寸枯竹间须看言笑，孰谓曾有遁形乎？若然，则人自具一肺肠，时自际一哀乐，而必绳以八法之功令，若矩矱之不可废者何？盖庖丁之神解，养由基之巧中，其游刃决拾之法自在也。故论世汉则古雅多质，晋则逸韵自赏，唐则清峭取险，宋则姿媚求工，世可殊而法不变也。语境则醉墨濡头者豪于致，败毫成冢者勇于力，怒猊渴骥者奇于气，惊沙舞剑者悟于神，绿蕉覆云者博于趣，脱巾啸傲者逸于姿，境可殊而法不变也。即语至变，篆籀可变而为分隶，分隶可变而为真草，其锋中笔正可变乎？转折三过可变乎？譬之人，肺肠各不同，而哀乐有时异，至眉目手足定位，抑岂可易耶？是必深于法者而后可与离法，又必超于法者而后可与进法。斯岂第吊诡者不敢奸，沓拖者不能跂。即令中行之士，窥藩篱，入堂奥，犹或难之矣。余少嗜书，长而未成，间取前人论议，拈定为一集，聊以自祛腕鬼耳。偶为寅阳叶先生见而叙之，名曰离钩，因遂商之墨池诸君子。 天启丁卯中秋，钱唐潘之淙题
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