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Literature 婉约词(繁体版)
Posted on 2010-04-28
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作者:惠淇源 编选
我國詞壇是一個群芳競豔,姹紫嫣紅的百花園。多彩多姿、千嬌百媚的婉約詞,爲我國古典詩歌增添了無限光彩,也爲我國文學的發展起著繼往開來的作用。自唐五代以來,直至近代,婉約詞繼承民歌的優良傳統,不斷推陳出新,形成了自己的特色。 首先是它具有“可歌性”。婉約詞是一種配樂歌唱的新體詩,從其誕生之日起,就跟音樂結下了不解之緣。《舊唐書·溫庭筠傳》曾記載飛卿“能逐弦歌之音,爲側豔之詞”。天才的作家們既有文學素養,又都洞曉音律。每填一闋,往往錘字煉句,審音度曲,把如畫的意境,精煉的語言和美妙的音樂緊密結合起來,既表情達意,又悅耳動聽,具有感人的藝術魅力。婉約詞便是在此基礎上發展起來的。“一曲新詞酒一杯”,這些溫柔香豔之曲,懷人贈別之調,又多是歌伎舞女們在花間、樽前,輕歌曼舞中彈唱的。一曲之後,餘音繞梁,沁人心脾。“楊柳岸,曉風殘月。”(《柳永《雨霖鈴》)便只合十七八女郎,執紅牙板,淺斟低唱。這類“旖旎近情,鋪敍展衍”的新曲,往往使聞者銷魂。婉約詞音節諧婉,“語工而入律”。情調柔美,容易爲人們所接受。唐五代詞早就具有這一特點。歐陽炯在《花間集序》中說:“……綺筵公子,繡幌佳人,遞葉葉之花箋,文抽麗錦;舉纖纖之玉手,拍按香檀。不無清絕之辭,用助嬌嬈之態”。兩宋時期,婉約詞空前繁榮,風靡全國。柳永的詞,“凡有井水飲處”,即能歌之。可見當時傳播之廣。直至近代,婉約詞依然具有“可歌性”。這是它的突出特點。
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