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Literature 金瓶梅的艺术
Posted on 2010-04-28
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作者：孙述宇
作者简历：孙述宇教授 香港新亚书院毕业，美国耶鲁大学博士。曾任美国 IOWA University 远东系副教授；香港中文大学英文及翻译系教授；台湾成功大学英文系教授。在中国小说方面著有《金瓶梅的艺术》及《水浒传的来历与艺术》两书。 本书集中讨论了《金瓶梅》的艺术特色与成就，论述更为深入，为台湾地区《金瓶梅》艺术论的开山之作。 本书简介 国人忽略了的小说 《金瓶梅》是一本质和量都惊人的巨构，篇长凡八十万字，对中国小说的影响非常深远，因为后出的两本名著《儒林外史》和《红楼梦》，都学效本书的写法，而这两本名著后来，又各有不少模拟之作。 这样的一本小说，照理应当有很多人仔细研究过，写下很多文字才是，但事实上却没有。这小说的艺术成就，在晚明袁石公写了几句诗话式的评语之后，直到几年前夏志清的《中国古典小说》出版，一直没有详细的讨论。大家讳言“淫书”，是个主要原因。当年胡适研究旧小说，研究到《醒世姻缘》而不及这本。后来发行的旧小说，把《红楼》和《水浒》都校订了出版，《金瓶》的版本问题虽然更需解决，却受不到这种优礼 。 《金瓶梅》是很需要好好校订过，也很需要好好评介一番的，不然这本小说马上就要湮没了。尽管小说还很易买到和借到，仔细看的读者今天已是少之又少；一般人都是慕“淫书”之名而来只翻寻那些讲述房事的章节。我们也不能全怪读者，因为这书的确是很难看的。字数惊人之外，书中生动的对话多是明末山东的方言，今日的读者往往读也读不来，更遑论欣赏那特别的味道。版本又糟，几个版之间大有出入，而每个都有讹漏。小说又有不少当今读者不喜欢的“缺点”，使我们从开首就对它生出偏见。而书又写得深沉，比别的中国小说都深沉得多。一般人若是带着看淫书或看消闲书的心情来 读，看见只有些家庭琐事，没有《水浒》中的天上星宿降生来播乱尘世与讨平辽国，没有《红楼》中的补天遗石降生为最漂亮高才的多情公子与最漂亮高才的多情小姐恋一场最漂亮的爱，怎么肯看下去？
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